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Welcome to the iForest.

iForest is the creation of composer, Pete M. Wyer, a highly versatile and evocative sound installation that can be indoor or outdoor, temporary or permanent.

Upcoming events:

“This forest will sing to you”: New York premiere of Pete Wyer’s iForest

  • ‘I Walk Towards Myself’, the iForest at Drums Along the Hudson, inspired by a Mohawk Thanksgiving ceremony, June 3, Inwood Park, 11 am –  6.00pm
  • ‘Twilight Chorus’ of birdsong sung by humans, Brooklyn Botanic Gardens, June 21, Make Music New York 7.30pm

The iForest, an acclaimed site-specific immersive sound experience combining music with nature by leading British composer Pete M Wyer, premieres in Manhattan and Brooklyn in June. 

The iForest, which has been visited by more than 100,000 people at the Wild Center in upstate New York, has been described as “an extraordinary sonic experience” (John Schaefer, WNYC) and as “unforgettable, and deeply spiritual”. The Smithsonian magazine said: “This forest will sing to you.” ( https://www.smithsonianmag.com/travel/heres-what-happens-when-choral-music-and-nature-collide-180963666/) Every visitor’s experience of the choral works in a natural landscape will be unique.

Composer and musician Pete M Wyer has created scores for the London Symphony Orchestra, Royal Philharmonic Orchestra, Juilliard and Royal Opera House as well as several operas, music theatre works and soundscapes projected onto iconic buildings such as the Bolshoi Theatre in Moscow.

iForest at Drums Along the Hudson 

The iForest brings an immersive experience for a 72- voice choir (2018 Grammy winners, The Crossing, pre-recorded as three choirs of 24 voices each) to the ancient woodland of Inwood Hill Park via 24 separate speakers. Originally commissioned by the Wild Center, Tupper Lake, where it can still be experienced (https://vimeo.com/219417685) [hyperlink] the choir sing in the indigenous Mohawk language in western choral tradition, thanking every element of nature inspired by traditional Thanksgiving ceremonies, in a piece entitled ‘I Walk Towards Myself’. 

Composer Pete M Wyer said: “In the Mohawk tradition, people see themselves as part of nature as opposed to having dominion over it. The piece is called ‘I Walk Towards Myself’, reflecting my aim that as we walk within the music we have a deeper sense of our connection to nature, which is a deeper sense of connection to ourselves.”

Trailer for ‘I Walk Towards Myself’ at Inwood Park: 

https://www.youtube.com/watch?v=zFiXYtvO1OM&t=4s

Twilight Chorus (for Humans), Brooklyn Botanic Gardens, June 21

Part of Make Music New York, ‘Twilight Chorus (for Humans) at the Brooklyn Botanic Gardens, is a work emerging from the idea of the restorative effects of birdsong for psychological wellbeing. Anxiety levels increase when people cannot hear birdsong because thousands of years ago, birdsong signified safety based on a lack of predators and plentiful resources for survival. (http://www.makemusicny.org/blog/twilight-%E2%80%8Bchorus-%E2%80%8Bfor-%E2%80%8Bh%E2%80%8Bumans-make-music-new-york-special-project/)

Pete M Wyer says: ​”​For ‘Twilight Chorus’, I have taken recordings of birdsong, slowed them down and transcribed them for singers. ​During the​ performance​, ​the singers ​will be​ dispersed across an area of Brooklyn Botanical Garden, again synchronized via an app. The audience is invited to experience the piece by moving between the voices – there​ is​ no single version of the piece​ and ​each person’s experience will be unique to them. The piece slowly evolves and brings the singers together at the end with more identifiably ​‘human​’ music.”

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See the trailer for iForest at Inwood Hill Park, Manhattan on June 3rd, 2018:

Watch the creation of The iForest at The Wild Center here, featuring a 72 voice choir who sing in indigenous the Mohawk language. Each voice is individually recorded and distributed across the woodland:

About

The iForest began in 2005 as part of a research project under the title ‘The iPod Forest’. Since then, Pete M Wyer’s research and development  in immersive sound has led to the creation not only a raft of new works but to new ways of scoring, creating and experiencing music.

As well as conventional items such as pitch, rhythm, tone and dynamic, scores use spatiality as a component, mapping the trajectory of sounds that move through space:

An early handwritten score for the iForest.

Blog

How the iForest began

I have spent a great deal of my life trying to reconstruct a moment from adolescence. I was around 16 or 17 and had stayed up all night with friends. We’d climbed the steep green slopes of Cleeve Hill before dawn to see the rolling panorama of Gloucestershire spread before us at sunrise then returned hungry in the …

What’s the Point of Art? (And: Shouldn’t We Rebrand the Species?)

What’s the Point of Art? (And: Shouldn’t We Rebrand the Species?) “For peace to reign on Earth, humans must evolve into new beings who have learned to see the whole first.”  ― Immanuel Kant When you go to bed at night you go there to be transported to a strange, unknown land where you speak …

Why I Love Cultural Appropriation and Why You Should Too

The title of this piece is not accidentally provocative, cultural appropriation is a hornet’s nest in the world of art, the title is like saying “come, sting me!”. I’m moved to write about it from my own experiences, particularly from the recent piece for my iForest “I Walk Towards Myself” which features a work for …

Contact

You can email us at:

Pete M. Wyer, pete@iforest.org

Jim Unwin, jim@iforest.org